Note: Looking at the books I've blogged so far this year, I realize there are a lot of 5-star ratings. My first thought was that I've been too generous, but there is another explanation. Last year, I read books with a different theme each month. Because of that restriction, I started 2014 with a pile of great books that hadn't fit those themes. The ratings should even out later in the year. And if they don't, then I'll just say it's because I don't choose lousy books in the first place.
The Hollywood Economist: The Hidden Financial Reality Behind the Movies by Edward Jay Epstein - Considering I'm not much of a movie person, it's surprising I would read a book like this, but the money side interests me. The Hollywood Economist explains how money is raised, how it is spent, and how it is recouped. Overall this book is pretty interesting, but sometimes it gets a bit repetitive like a collection of overlapping magazine articles. Note: I read the first edition (2010); version 2.0 (2012) is shown below. 4 stars
Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped by Dean Budnick & Josh Baron - This information-packed book (wish it had an index!) is a history of the live performance side of the popular music business—ticket vendors, promoters, venue owners, etc.—since the 1960s. It's a must-read for someone really interested in the topic (as I am), but it's probably too much for most concertgoers. 5 stars
Backstage Past by Barry Fey - This book is so much fun! Fey is a legendary concert promoter who worked out of Denver starting in the late 1960s. He tells great stories about the business and especially the performers he worked with. Any rock music fan should love this book. 5 stars
I Wear the Black Hat: Grappling with Villains (Real and Imagined) by Chuck Klosterman - I love everything I've read by Klosterman (though I haven't read his fiction yet). Here he muses about "bad guys"—what makes them bad and why we hate them. Speaking of hate, I hate when the paperback edition contains new material that those who paid more for the hardcover (like me) don't get. This isn't the first time Scribner and Klosterman have done this. 5 stars